A New Poster in my Office
If you know anything about me, you know that I surround myself with creative inspirations. My John Carpenter Movie Poster Museum, in my basement rec-room/theatre, is a perfect example:
If you know anything about me, you know that I surround myself with creative inspirations. My John Carpenter Movie Poster Museum, in my basement rec-room/theatre, is a perfect example:
I’ve recently been re-reading some classic novels from my younger days, and I realized that some of their covers might now be considered iconic — some so notable that the movie marketing machines actually copied the book cover, further cementing the image in our minds. Here are some of those books.
I recently published a blog piece celebrating my fiftieth year on the planet. In the article, I wrote about the books I read as a child under the age of ten. The intention was twofold: to inform people about the books that inspired a young boy to take on the monumental goal of writing science fiction thrillers (a task which took decades to achieve), and to implore parents to always buy books for their children.
I recently purchased a PS4. Usually I stick to my X-box (for gaming and movie watching) but there were a few titles that were PS4 exclusives that I wanted to try. One was THE LAST OF US, which I reviewed here. The other was SPIDER-MAN, for which I have heard nothing but raves. Created by Insomniac Games, it has (as of writing this) sold almost ten million units. It was nominated for numerous awards, and won the Game Critics Awards for Best Console Game and Best Action Adventure Game. It won Best PS4 Game at Gamescon 2018, and at the 2018 Gamers’ Choice Awards it won Fan Favorite Action Game, Single Player Gaming Experience, and Fan Favorite Character of the Year (Peter Parker).
Sometimes less is more, and I am aiming to keep this short and sweet, hopefully to have greater impact on those who might stumble across it. My wish is that it might motivate people to spend two hours at the theaters this weekend.
I had the opportunity to review this “camp” horror film (see what I did there?) by director Matt Frame and starring Dave Peniuk and Angela Galanopoulos. The film is currently making the horror festival circuit, and campy is actually an understatement when describing this horror farce. Crowdfunding helped with the movie’s $35 000 budget, and apparently the filmmakers spent four years working on it.
I wrote about turning forty-seven here. My thoughts remain the same. I was born at the best possible time. I loved the decades I’ve experienced — the films, the music, the television, pop culture, and the explosion of technology. I’ve witnessed the birth of the personal computer, the internet, the ease of information acquisition and now this time of instant gratification. It’s a period that we could only have imagined just a short time ago.
I should clarify that a film’s presence on this blog post is entirely subjective based on my experiences growing up. These were my creative formative years, during which I was discovering genre books, television shows, and movies. I was born in 1970, so really the 80’s were my true introduction to Science Fiction Horror, Thriller and Adventure — books by Asimov and Crichton and films by Cameron, Spielberg, Carpenter, and Verhoeven — but the 1970’s played a huge role in my love for the genre. Detroit Channel 7 broadcast most of the films I saw. Many had poor effects, but the stories were so powerful and the actors so committed that the movies rose above the rest of the stories that were available at the time. The themes were relevant, the plots compelling and interesting, all the base human emotions like revenge and lust and greed and hate were on full display, they spoke of issues that people dealt with every day, and they featured powerful scores and incredible directing. They were gripping.