Valentine’s Day Gift for TSJ — A New Scale Model Kit
It’s AMT 1332M.
Last week, I joined the guys from the Re-Creative Podcast and our topic of the evening was my second favorite film of all time, John Carpenter’s The Thing.
When I was a teenager, I read a lot of 1950s Science Fiction. It was the tail end of the “Golden Age of Science Fiction.” Asimov, Pohl, Heinlein, del Rey and more. I fell in love with the genre because of those books. They sparked my imagination and took me to fascinating locations in futuristic settings. The stakes were always huge. It’s those books that really taught me how important YA Science Fiction is. Readers get hooked on the genre early; it’s what happened to me.
I’ve recently been re-reading some classic novels from my younger days, and I realized that some of their covers might now be considered iconic — some so notable that the movie marketing machines actually copied the book cover, further cementing the image in our minds. Here are some of those books.
Title: In the Shadow of the Moon
Director: Jim Mickle
Studio/Distributor: Netflix
Writers: Gregory Weidman, Geoffrey Tock
Starring: Boyd Holbrook (Logan), Bokeem Woodbine (Spider Man: Homecoming), Michael C. Hall (Dexter)
Short Description: A Philadelphia police detective hunts a time-traveling serial killer.
Starring: Jared Harris, Stellan Skarsgard, Emily Watson, Paul Ritter
Company: HBO
Running Time: 330 minutes
Created by: Craig Mazin
I read this book shortly after its release in 1994. It is a page turner. It brought public attention to the threat of deforestation, and it did so in graphic, horrific detail.
Sometimes less is more, and I am aiming to keep this short and sweet, hopefully to have greater impact on those who might stumble across it. My wish is that it might motivate people to spend two hours at the theaters this weekend.
I had the opportunity to review this “camp” horror film (see what I did there?) by director Matt Frame and starring Dave Peniuk and Angela Galanopoulos. The film is currently making the horror festival circuit, and campy is actually an understatement when describing this horror farce. Crowdfunding helped with the movie’s $35 000 budget, and apparently the filmmakers spent four years working on it.