This week, speculative fiction blog Aurelia Leo published an article I wrote on legendary SF director John Carpenter. Over the decades I’ve searched out any property I could find that Carpenter has directed. Find my thoughts on many of his SF films at the link, including THEY LIVE, PRINCE OF DARKNESS, THE THING, and ESCAPE FROM NEW YORK.
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When I was a teenager I read a lot of 1950s Science Fiction. It was the tail end of the “Golden Age of Science Fiction.” Asimov, Pohl, Heinlein, del Rey and more. I fell in love with the genre because of those books. They sparked my imagination and took me to fascinating locations in futuristic settings. The stakes were always huge. It’s those books that really taught me how important YA Science Fiction is. Readers get hooked on the genre early; it’s what happened to me.
Over at Speculative Chic they’ve posted an article I wrote about the Science Fiction books and movies that I love most featuring the oceans. They helped inspire me to write THE WAR BENEATH. Some of them are novels from the tail end of the Golden Age of Science Fiction.
TSJ Interprets BIRD BOX, a Netflix OriginalBIRD BOX is a gripping horror/survival/post-apocalyptic film. The disaster reveal happens near the beginning of the movie, but it does not explain the “monsters” in any real detail (more on this later). This is another film in the horror sub-genre involving a sensory deprivation. Recent examples include DON’T BREATHE and A QUIET PLACE. In those films, the story forces characters to remain silent or risk death. In the case of BIRD BOX, however, the sense involved is sight. If the characters see the monster, they die — in this case, victims kill themselves after witnessing the creatures.
TSJ Reviews HOLD THE DARKFilm: HOLD THE DARK, An Original @Netflix #Movie
Starring: Jeffrey Wright, Riley Keough, Alexander Skarsgard
Directed by: Jeremy Saulnier
Screenplay by: Macon Blair
Based on the Novel By: William Giraldi
This is a captivating and moody film holding layer upon layer of meaning that will keep viewers guessing until the end. It’s compelling and engaging, thanks to strong acting and beautiful cinematography, and it reminded me of WIND RIVER crossed with THE REVENANT. It’s a mystery, a crime thriller, and a brutal examination of the thin line that divides human from animal. Answers are not stated outright, but the clues are all there … so watch closely.
TSJ Reviews ESCAPE ROOM (2017)Film: ESCAPE ROOM (2017)
Starring: Evan Williams, Elizabeth Hower, Annabelle Stephenson, Dan J. Johnson
Director: Will Wernick
Writer: Noah A.D.
Budget: Unknown
It took me a little bit to decide whether I wanted to write this review or not.
Sometimes less is more, and I am aiming to keep this short and sweet, hopefully to have greater impact on those who might stumble across it. My wish is that it might motivate people to spend two hours at the theaters this weekend.
TSJ Reviews TRUTH OR DARE and Ruminates on Blumhouse ProductionsFILM: TRUTH OR DARE
Stars: Lucy Hale, Tyler Posey, Violett Beane
Director: Jeff Wadlow (KICK ASS 2, CRY WOLF, NEVER BACK DOWN)
Writers: Michael Reisz, Jillian Jacobs
Production Co.: Blumhouse Productions
Budget: $3 500 000
I purchased TRUTH OR DARE on Blu/DVD/Digital Download for roughly $25.00 at the local Best Buy. It’s how I watch many films. The price is right, especially when you’re getting both a physical copy along with a digital download. I picked TRUTH OR DARE this week not because of the title or concept, but more because of the producer’s track record.
Review: CAMP DEATH III in 2D!I had the opportunity to review this “camp” horror film (see what I did there?) by director Matt Frame and starring Dave Peniuk and Angela Galanopoulos. The film is currently making the horror festival circuit, and campy is actually an understatement when describing this horror farce. Crowdfunding helped with the movie’s $35 000 budget, and apparently the filmmakers spent four years working on it.
The Best Science Fiction Movies of the 1970’sI should clarify that a film’s presence on this blog post is entirely subjective based on my experiences growing up. These were my creative formative years, during which I was discovering genre books, television shows, and movies. I was born in 1970, so really the 80’s were my true introduction to Science Fiction Horror, Thriller and Adventure — books by Asimov and Crichton and films by Cameron, Spielberg, Carpenter, and Verhoeven — but the 1970’s played a huge role in my love for the genre. Detroit Channel 7 broadcast most of the films I saw. Many had poor effects, but the stories were so powerful and the actors so committed that the movies rose above the rest of the stories that were available at the time. The themes were relevant, the plots compelling and interesting, all the base human emotions like revenge and lust and greed and hate were on full display, they spoke of issues that people dealt with every day, and they featured powerful scores and incredible directing. They were gripping.
