News About Spielberg’s Upcoming Film: Disclosure Day

Finally we have some more news — including a title! — for Steven Spielberg’s new Summer film. Opening in June 2026, until this week we hadn’t even had a synopsis or a title.

Finally we have some more news — including a title! — for Steven Spielberg’s new Summer film. Opening in June 2026, until this week we hadn’t even had a synopsis or a title.

Image from StarWars.com
He said he was retiring …

What can you write about a movie that has already been examined, discussed, dissected, and studied in minute detail for fifty years?

Iāve been thinking about this post for ages.

This won’t be an extremely detailed post because, One, I don’t want to give away spoilers, and Two, there are barely any negatives to this game.

Release Date: March 26, 2021
Company: FilmNation Entertainment
Director: Dominic Cooke
Writer: Tom O’Connor
Starring: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan
The Most Iconic Book Covers in the Thriller/Suspense/SF GenresIāve recently been re-reading some classic novels from my younger days, and I realized that some of their covers might now be considered iconic ā some so notable that the movie marketing machines actually copied the book cover, further cementing the image in our minds. Here are some of those books.

Over at Speculative Chic they’ve posted an article I wrote about the Science Fiction books and movies that I love most featuring the oceans. They helped inspire me to write THE WAR BENEATH.Ā Some of them are novels from the tail end of the Golden Age of Science Fiction.
The Best Science Fiction Movies of the 1970’sI should clarify that a film’s presence on this blog post is entirely subjective based on my experiences growing up. These were my creative formative years, during which I was discovering genre books, television shows, and movies. I was born in 1970, so really the 80’s were my true introduction to Science Fiction Horror, Thriller and Adventure — books by Asimov and Crichton and films by Cameron, Spielberg, Carpenter, and Verhoeven — but the 1970’s played a huge role in my love for the genre. Detroit Channel 7 broadcast most of the films I saw. Many had poor effects, but the stories were so powerful and the actors so committed that the movies rose above the rest of the stories that were available at the time. The themes were relevant, the plots compelling and interesting, all the base human emotions like revenge and lust and greed and hate were on full display, they spoke of issues that people dealt with every day, and they featured powerful scores and incredible directing. They were gripping.