Over at Speculative Chic they’ve posted an article I wrote about the Science Fiction books and movies that I love most featuring the oceans. They helped inspire me to write THE WAR BENEATH. Some of them are novels from the tail end of the Golden Age of Science Fiction.
A quick announcement regarding the new thriller. I posted on my social media on 8 December that THE WAR BENEATH had been shortlisted for the 2018 CLUE Award for Suspense/Thriller/Crime Novel. Recently I also found out that the book has reached the shortlist for the 2018 GLOBAL THRILLER Award and is now also a CLUE semi-finalist. Both are competitions called the Chanticleer International Book Awards (the CIBAs) organized by Chanticleer Book Reviews.
I wrote about turning forty-seven here. My thoughts remain the same. I was born at the best possible time. I loved the decades I’ve experienced — the films, the music, the television, pop culture, and the explosion of technology. I’ve witnessed the birth of the personal computer, the internet, the ease of information acquisition and now this time of instant gratification. It’s a period that we could only have imagined just a short time ago.
On Thursday 4 October I presented the inaugural TSJ Future Writer Award during the commencement ceremony for the Class of 2018 at London South Collegiate Institute in the Thames Valley District School Board.
TSJ and Gail Barker, 8 August 2018
On 8 August I participated in the radio show YOUR LIFE, YOUR WAY at local radio station 106.9 THE X. The topics of conversation ranged from managing a busy life while also writing thrillers to my new underwater adventure THE WAR BENEATH. Gail Barker and I also discussed
The Best Science Fiction Movies of the 1970’sI should clarify that a film’s presence on this blog post is entirely subjective based on my experiences growing up. These were my creative formative years, during which I was discovering genre books, television shows, and movies. I was born in 1970, so really the 80’s were my true introduction to Science Fiction Horror, Thriller and Adventure — books by Asimov and Crichton and films by Cameron, Spielberg, Carpenter, and Verhoeven — but the 1970’s played a huge role in my love for the genre. Detroit Channel 7 broadcast most of the films I saw. Many had poor effects, but the stories were so powerful and the actors so committed that the movies rose above the rest of the stories that were available at the time. The themes were relevant, the plots compelling and interesting, all the base human emotions like revenge and lust and greed and hate were on full display, they spoke of issues that people dealt with every day, and they featured powerful scores and incredible directing. They were gripping.
TSJ Reviews John Carpenter’s “Lost” Film SOMEONE’S WATCHING ME!Shout! Factory has been releasing John Carpenter films on Blu for a few years now. Each features additional special features that previous discs did not, many including interviews and brand new commentaries not on previous iterations. Their releases of THE THING and ESCAPE FROM NEW YORK are real standouts in their Carpenter library.
Carpenter wrote and filmed SOMEONE’S WATCHING ME! for television broadcast in 1978. Two weeks after the ten-day filming concluded, he was off doing HALLOWEEN, a movie that blasted his career into the stratosphere. (See my articles on it here and here, and I spoke about it on a radio show here.)
COMING 20 NOVEMBER 2018
I have now officially finished edits on THE WAR BENEATH, and the book is in the hands of ChiZine where it is being prepped for printing. It has been an extraordinary process, and the love and care that is going into this book is difficult to describe. When I first saw the cover, I knew that this was going to be special. Made by Emblem in Toronto created it, and even produced an animated version for their Instagram account:
Michael Myers is back.
He’s one of the greatest slasher villains of all time and featured in a franchise that co-created the genre. (Many also give credit to BLACK CHRISTMAS in 1974.) John Carpenter’s HALLOWEEN (1978) could be considered one of the most successful independent films ever. Made on a budget of only $375 000, it earned $70 000 000 at the box office the year it was released and spawned a series that currently consists of eleven films. John Carpenter really hit it out of the ballpark and he exploded onto the horror scene and never looked back. (I spoke on a radio show about my love for this film and how it inspired me here.) Of particular note was the soundtrack that he created out of desperation: they didn’t have a budget to hire someone to score the film, so Carpenter did it himself.
First the bulkheads sweat, then there’s a trickle of water, and then in an instant you’re gone. The only thing left is a bloody pulp in the dark water and crushed bone fragments on the seafloor …