The War Beneath by Timothy S. Johnston
FATHER SWEET is the debut novel by Canadian writer J.J. Martin. It centers around a boy’s life in a small hamlet near Ottawa in Northern Ontario and his intersecting path with not only the local predatory priest, but also his father’s mysterious occupation and reasons behind the cold-hearted manner in which he raises his children. The two stories converge near the book’s conclusion, and the novel is a riveting tale of abuse, strength, revenge, and redemption.
I read this book shortly after its release in 1994. It is a page turner. It brought public attention to the threat of deforestation, and it did so in graphic, horrific detail.
I subscribe to Game Pass through my Microsoft Xbox account. Each month, Microsoft posts games that subscribers are free to download. I’ve tried numerous properties there, such as RISE OF THE TOMB RAIDER, and it’s a good way to experience different types of games that I might not have purchased otherwise. The monthly fee isn’t bad, and there are just enough exciting options to keep me enrolled. One such game I attempted recently was Season 1 of THE WALKING DEAD by Telltale Games.
The result was
This week, speculative fiction blog Aurelia Leo published an article I wrote on legendary SF director John Carpenter. Over the decades I’ve searched out any property I could find that Carpenter has directed. Find my thoughts on many of his SF films at the link, including THEY LIVE, PRINCE OF DARKNESS, THE THING, and ESCAPE FROM NEW YORK.
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Over at Speculative Chic they’ve posted an article I wrote about the Science Fiction books and movies that I love most featuring the oceans. They helped inspire me to write THE WAR BENEATH. Some of them are novels from the tail end of the Golden Age of Science Fiction.
TSJ Interprets BIRD BOX, a Netflix OriginalBIRD BOX is a gripping horror/survival/post-apocalyptic film. The disaster reveal happens near the beginning of the movie, but it does not explain the “monsters” in any real detail (more on this later). This is another film in the horror sub-genre involving a sensory deprivation. Recent examples include DON’T BREATHE and A QUIET PLACE. In those films, the story forces characters to remain silent or risk death. In the case of BIRD BOX, however, the sense involved is sight. If the characters see the monster, they die — in this case, victims kill themselves after witnessing the creatures.
TSJ Reviews THE LAST OF USTHE LAST OF US is a survival/horror game set in the United States following a pandemic that has wiped out or infected the majority of the world’s population. The storyline follows Joel, a survivor, as he escorts 14 year old Ellie across the country to a group of scientists who might be able to create a vaccine to the infection using her natural immunity. What follows is one of the most emotionally-charged, intense, and satisfying video game journeys I have ever experienced. This game is up there with ALIEN: ISOLATION (see my review here) and PREY as being a top-tier effort, and it is a shining example of what a gaming experience should be. The story is simultaneously emotional, heartbreaking, uplifting and tragic, and each sequence is gripping. Each “chapter” ends on a cliffhanger, and I simply had to keep playing to find out what would happen to Joel and Ellie. This game is, simply put, a masterpiece.
TSJ Reviews HOLD THE DARKFilm: HOLD THE DARK, An Original @Netflix #Movie
Starring: Jeffrey Wright, Riley Keough, Alexander Skarsgard
Directed by: Jeremy Saulnier
Screenplay by: Macon Blair
Based on the Novel By: William Giraldi
This is a captivating and moody film holding layer upon layer of meaning that will keep viewers guessing until the end. It’s compelling and engaging, thanks to strong acting and beautiful cinematography, and it reminded me of WIND RIVER crossed with THE REVENANT. It’s a mystery, a crime thriller, and a brutal examination of the thin line that divides human from animal. Answers are not stated outright, but the clues are all there … so watch closely.
TSJ Reviews ESCAPE ROOM (2017)Film: ESCAPE ROOM (2017)
Starring: Evan Williams, Elizabeth Hower, Annabelle Stephenson, Dan J. Johnson
Director: Will Wernick
Writer: Noah A.D.
Budget: Unknown
It took me a little bit to decide whether I wanted to write this review or not.